From the Kingdom of Kongo to Congo Square
Kongo Dances and the Origins of the Mardi Gras Indians
From the Kingdom of Kongo to Congo Square is a very intricate study that challenges the ways we should think about the interactions between European and African societies. The author does not skirt the horrific elements of these interactions. Rather, they make up one aspect of a large tapestry tracing the movement of performance tradition from the Kingdom of Kongo throughout the Diaspora."--Matthew Teutsch in Black Perspectives.
From the Kingdom of Kongo to Congo Square: Kongo Dances and the Origins of the Mardi Gras Indians presents a provocatively new interpretation of one of New Orleans’s most enigmatic traditions—the Mardi Gras Indians. By interpreting the tradition in an Atlantic context, Dewulf traces the “black Indians” back to the ancient Kingdom of Kongo and its war dance known as sangamento. Enslaved Kongolese brought the rhythm, dancing moves, and feathered headwear of sangamentos to the Americas in performances that came to be known as “Kongo dances.”
By comparing Kongo dances on the African island of São Tomé with those in Latin America, the Caribbean, and Louisiana, Dewulf demonstrates that the dances in New Orleans’s Congo Square were part of a much broader Kongolese performance tradition. He links that to Afro-Catholic mutual-aid societies that honored their elected community leaders or “kings” with Kongo dances. While the public rituals of these brotherhoods originally thrived in the context of Catholic procession culture around Epiphany and Corpus Christi, they transitioned to carnival as a result of growing orthodoxy within the Church.
Dewulf’s groundbreaking research suggests a much greater impact of Kongolese traditions and of popular Catholicism on the development of African American cultural heritage and identity. His conclusions force us to radically rethink the traditional narrative on the Mardi Gras Indians, the kings of Zulu, and the origins of black participation in Mardi Gras celebrations.
About the Author:
Jeroen Dewulf is associate professor and director of the Institute of European Studies at the University of California, Berkeley. In 2010, he was distinguished by the Hellman Family Faculty Fund as one of the “Best of Berkeley Researchers” and in 2012 he won the Robert O. Collins Award in African Studies as well as the American Cultures Innovation in Teaching Award. In 2014, he was distinguished with the Hendricks Award of the New Netherland Institute for his research on the early slave community on Manhattan. In 2015, he received the Louisiana Historical Association’s President’s Memorial Award for his research on the Mardi Gras Indians.